• History of Pavlovsk
• The Ruined Palace
• Palace Facade
• Egyptian Vestibule
• State Vestibule
• Italian Hall
• Grecian Hall
• Hall of War
• Tapestry Room
• Library of Paul I
• Dressing Room of Paul I
• Secretary's Room
• Hall of Peace
• Library of the Empress
• Boudoir
• State Bedroom
• Dressing Room - Empress
• Ladies-in-Waiting Room
• First - Second Anterooms
• Picture Gallery
• Third Anteroom
• Grand Hall
• Music Room
• Church Gallery
• Rossi Room
• Dancing Room
• Old Drawing Room
• Billiard Room
• Dining Room
• Corner Drawing Room
• New Study
• Family Sitting Room
• Crimson Room
• Anteroom - Round Room
• Pilaster Room
• Little Lantern
• Dressing Room
• Bedroom
• Oval Boudoir
• The Park
• Pavilion of the Three Graces
• Palace in the Snow
• Gates of Pavlovsk
• Apollo Colonnade
• Temple of Friendship
• Palace Plans

The Room for the Ladies-in-waiting contains many specimens of first-class furniture, such as a sofa and armchairs of eighteenth-century Russian workmanship, upholstered in silk with a design of swans and pheasants, woven at the Lazarev textile factory near Moscow; a cylinder-top desk by David Roentgen; and an inlaid commode stamped J. Dautriche. Among the pictures are canvases by Jean-Baptiste Greuze, Hubert Robert, Carle van Loo and other eighteenth-century painters.

Remarkable for their fine design are the bronze sconces by Pierre Gouthiere, as is also a clock with a scene from Pierre-Alexandre Monsigny's opera The Deserter, to which a musical box in a case of Karelian birch has been added by Russian craftsmen. The mechanism plays several airs from that opera, popular in the 'eighteenth century.